| Kingdom of mystery : the artistic ideas of Nicholas Roerich
|
2013 |
Bowlt, John E. |
| "... de la musique sauvage avec tout le confort moderne!" : the orchestral design of Le Sacre du printemps
|
2013 |
Bleek, Tobias |
| Rewriting The Rite : creative responses to Le Sacre du printemps
|
2013 |
Cross, Jonathan |
| Le Sacre du printemps : milestones in dance
|
2013 |
Jordan, Stephanie |
| Vesna svyashchennaya in its homeland : reception of The Rite in Russia and the Soviet Union
|
2013 |
Savenko, Svetlana Ilʹinična |
| Boulez's Rite
|
2013 |
Piencikowski, Robert |
| The cultural memory of Le Sacre du printemps
|
2013 |
Assmann, Jan |
| Mythic sacrifices and real corpses : Le Sacre du printemps and the great war
|
2013 |
Münkler, Herfried |
| The scandal at Le Sacre : games of distinction and dreams of barbarism
|
2013 |
Buch, Esteban |
| Disrupted structures : rhythm, melodym harmony
|
2013 |
Meyer, Andreas |
| "... retrouver la source de variété ..." : Nijinsky's choreographic textures
|
2013 |
Jeschke, Claudia |
| Remembering The Rite of Spring or "Ce que je n'ai pas voulu exprimer dans Le Sacre du printemps"
|
2013 |
Walsh, Stephen |
| Le sacre analyzed
|
2013 |
Bernard, Jonathan W. |
| Multifarious rites of passage : an introduction
|
2013 |
Danuser, Hermann |
| Diaghilev's ballet russes : a new kind of company
|
2013 |
Garafola, Lynn |
| The shaman, the sage and the sacrificial victim - and Nicholas Roerich's part in it all
|
2013 |
Griffiths, Paul |
| Everyone's Rite (1939 - 1946)
|
2013 |
Schiff, David |
| "sim not dim" : exécution and interprétation in recordings of The Rite since 1929
|
2013 |
Stollberg, Arne |
| How The Rite became possible
|
2013 |
Taruskin, Richard |
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