| The teaching of performance
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2012 |
Loges, Natasha |
| Music and musical performance : histories in disjunction?
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2012 |
Wright, David |
| Vocal performance in the Renaissance
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2012 |
McGee, Timothy J. |
| Instrumental performance in the Renaissance
|
2012 |
Polk, Keith |
| Performance in the seventeenth century : an overview
|
2012 |
Carter, Tim |
| Instrumental performance in the seventeenth century
|
2012 |
Ponsford, David |
| Performance in the 'long eighteenth century' : an overview
|
2012 |
McVeigh, Simon |
| Vocal performance in the 'long eighteenth century'
|
2012 |
Potter, John |
| Case study : Mozart, Symphonies in E flat major K 543, G minor K 550 and C major K 551
|
2012 |
Lawson, Colin |
| Vocal performance in the twentieth century and beyond
|
2012 |
Manning, Jane |
| Case study : Karlheinz Stockhausen, Gruppen für drei Orchester
|
2012 |
Mival, William |
| The evidence
|
2012 |
Stowell, Robin |
| Instrumental performance before c. 1430
|
2012 |
Mengozzi, Stefano |
| Case study : Seville Cathedral's music in performance, 1549-1599
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2012 |
Rees, Owen |
| Case study : Richard Wagner, Tristan and Isolde
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2012 |
Stowell, Robin |
| Instrumental performance in the twentieth century and beyond
|
2012 |
Heaton, Roger |
| Performance today
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2012 |
Kenyon, Nicholas |
| Political process, social structure and musical performance in Europe since 1450
|
2012 |
Weber, William |
| The performer and the composer
|
2012 |
Jamason, Corey |
| Vocal performance before c. 1430
|
2012 |
Summerly, Jeremy |
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