| Text treatment in motets around 1500: the humanistic fallacy
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2012 |
Edwards, Warwick |
| Reverse Accentuation
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2012 |
Rice, Stephen |
| The Latin texts of Regis's Motets
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2012 |
Holford-Strevens, Leofranc |
| Imitations in the motets of Antoine Busnoys
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2012 |
Natvig, Mary |
| The motets of Mathieu Gascongne : a preliminary report
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2012 |
Colin, Marie-Alexis |
| A black hole? : problems in the motet around 1500
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2012 |
Rifkin, Joshua |
| Text setting and imitative technique in Petrucci's first five move prints
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2012 |
Cumming, Julie E. |
| Ostinato-Tenor motet composition, c. 1500
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2012 |
Pack, Timothy |
| Antoine de Févin and the origins of the 'Parisian Motet'
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2012 |
Brobeck, John T. |
| Text, form, and style in Franchino Gaffurio's motet's
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2012 |
Filippi, Daniele V. |
| Ludwig Senfl's Sancte pater divumque and his musical patrimony
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2012 |
Gilbert, Adam |
| You have wounded my heart! : song of songs, motets, and the wound of desire
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2012 |
Chiu, Remi |
| Between heaven and earth : some thoughts on possible semantics of the cantus firmus motet
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2012 |
Wald-Fuhrmann, Melanie |
| Compositional process in the fifteenth-century motet
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2012 |
Wegman, Rob |
| Some ways of the motet : Obrecht and the paths of five-voice composition
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2012 |
Weller, Philip |
| Beyond the hexachord : a view from Josquin's Ut Phebi radiis
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2012 |
Mengozzi, Stefano |
| Spain discovers the motet
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2012 |
Kreitner, Kenneth |
| The last motet-chanson
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2012 |
Youens, Laura |
| Reflecting on the rosary : Marian devotions in early sixteenth-century motets
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2012 |
Hatter, Jane |
| Josquin des Prez and the combinative impulse
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2012 |
Milsom, John |
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