| Compositional process in the fifteenth-century motet
|
2012 |
Wegman, Rob |
| Some ways of the motet : Obrecht and the paths of five-voice composition
|
2012 |
Weller, Philip |
| Beyond the hexachord : a view from Josquin's Ut Phebi radiis
|
2012 |
Mengozzi, Stefano |
| Spain discovers the motet
|
2012 |
Kreitner, Kenneth |
| The last motet-chanson
|
2012 |
Youens, Laura |
| Reflecting on the rosary : Marian devotions in early sixteenth-century motets
|
2012 |
Hatter, Jane |
| A black hole? : problems in the motet around 1500
|
2012 |
Rifkin, Joshua |
| Text setting and imitative technique in Petrucci's first five move prints
|
2012 |
Cumming, Julie E. |
| Ostinato-Tenor motet composition, c. 1500
|
2012 |
Pack, Timothy |
| Antoine de Févin and the origins of the 'Parisian Motet'
|
2012 |
Brobeck, John T. |
| Text, form, and style in Franchino Gaffurio's motet's
|
2012 |
Filippi, Daniele V. |
| Ludwig Senfl's Sancte pater divumque and his musical patrimony
|
2012 |
Gilbert, Adam |
| You have wounded my heart! : song of songs, motets, and the wound of desire
|
2012 |
Chiu, Remi |
| Between heaven and earth : some thoughts on possible semantics of the cantus firmus motet
|
2012 |
Wald-Fuhrmann, Melanie |
| Josquin des Prez and the combinative impulse
|
2012 |
Milsom, John |
| Moulu's composer motet : date and context
|
2012 |
Fallows, David |
| The old guard goes to school : the evolution of style in Johannes Martini's motets
|
2012 |
Steib, Murray |
| Motet style and structure in Central Europe around 1490 : some remarks on selected pieces from the Codex Specialnik
|
2012 |
Hlavkova-Mrackova, Lenka |
| The repertory in The Medici Codex
|
2012 |
Wexler, Richard |
| A triumph of symbiosis : Angelo Poliziano, Josquin des Prez, and the motet O Virgo prudentissima
|
2012 |
Benthem, Jaap van |
Tag hinzufügen