| Petrucci's Canti volumes : scope and repertory
|
2013 |
Fallows, David |
| Composition - copying: performance - re-creation: the matrix of stemmatic problems for early music
|
2013 |
Boorman, Stanley |
| The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music
|
2013 |
Cardamone, Donna G. |
| The constitution of the fifteenth-century German tenor lied : drafting the history of a musical genre
|
2013 |
Staehelin, Martin |
| The Frottola and the unwritten tradition
|
2013 |
Prizer, William F. |
| The early Madrigal : a re-appraisal of its sources and its character
|
2013 |
Haar, James |
| Ockeghem and the motet-chanson in fifteenth-century France
|
2013 |
Meconi, Honey |
| Chansons and Air
|
2013 |
Van Orden, Kate |
| "Trained and immersed in all musical delights" : towards a new picture of Busnoys
|
2013 |
Fallows, David |
| Seigneur Leon's Papal sword : Ferrara, Du Fay, and his songs of the 1440s
|
2013 |
Gallagher, Sean |
| Willaer and the Canzone Villanesca
|
2013 |
Pirrotta, Nino |
| The a cappella heresy in Spain : an inquisition in to the performance of the cancionero repertory
|
2013 |
Knighton, Tess |
| Courtesans, muses, or musicians? : professional women musicians in Sixteent-century Italy
|
2013 |
Newcomb, Anthony |
| Innovation in instrumental music 1450-1510 : the role of German performers within European culture
|
2013 |
Polk, Keith |
| Songs without words by Josquin and his contemporaries
|
2013 |
Edwards, Warwick |
| The Vatican manuscript Urb. Lat. 1411 : an undervalued source?
|
2013 |
Haar, James |
| Monteverdi, Marenzio, and Battista Guarini's "Cruda Amarilli"
|
2013 |
Ossi, Massimo Michele |
| Psyche's Lament : some music for the Medici wedding in 1565
|
2013 |
Brown, Howard Mayer |
| Ricercare and variations on O rosa bella
|
2013 |
Pirrotta, Nino |
| The composer as exegete : interpretations of Petrarchian syntax in the Venetian Madrigal
|
2013 |
Feldman, Martha |
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