| Embellishment and Urtext in the Fifteenth-century song repertories
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2013 |
Fallows, David |
| Pietrequin Bonnel and Ms. 2794 of the Biblioteca Riccardiana
|
2013 |
Rifkin, Joshua |
| Josquin's Chansons as generic paradigms
|
2013 |
Bernstein, Lawrence F. |
| Lied and madrigal, 1580-1600
|
2013 |
Finscher, Ludwig |
| Heinrich Isaac among the Florentines
|
2013 |
Wilson, Blake |
| From Minstrel to Courtier : the Royal Musique de Chambre and courtly ideals in Sixteenth-century France
|
2013 |
Brooks, Jeanice |
| The use of borrowed material in 16th-century instrumental music
|
2013 |
Ward, John |
| Petrucci's Canti volumes : scope and repertory
|
2013 |
Fallows, David |
| Composition - copying: performance - re-creation: the matrix of stemmatic problems for early music
|
2013 |
Boorman, Stanley |
| The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music
|
2013 |
Cardamone, Donna G. |
| The constitution of the fifteenth-century German tenor lied : drafting the history of a musical genre
|
2013 |
Staehelin, Martin |
| The Frottola and the unwritten tradition
|
2013 |
Prizer, William F. |
| The early Madrigal : a re-appraisal of its sources and its character
|
2013 |
Haar, James |
| The Vatican manuscript Urb. Lat. 1411 : an undervalued source?
|
2013 |
Haar, James |
| Monteverdi, Marenzio, and Battista Guarini's "Cruda Amarilli"
|
2013 |
Ossi, Massimo Michele |
| Psyche's Lament : some music for the Medici wedding in 1565
|
2013 |
Brown, Howard Mayer |
| Ricercare and variations on O rosa bella
|
2013 |
Pirrotta, Nino |
| The composer as exegete : interpretations of Petrarchian syntax in the Venetian Madrigal
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2013 |
Feldman, Martha |
| Ockeghem and the motet-chanson in fifteenth-century France
|
2013 |
Meconi, Honey |
| Chansons and Air
|
2013 |
Van Orden, Kate |
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