| Handel and the feuding royals
|
2011 |
McGeary, Thomas |
| Psychological realism in Il Trionfo del tempo e del disinganno
|
2011 |
Smith, Ruth |
| Handel and the confus'd shepherdess: a case study of stylistic eclecticism
|
2011 |
Cummings, Graham |
| From Rinaldo to Orlando, or Senesino's path to madness
|
2011 |
Bucciarelli, Melania |
| Marie Sallé as muse : Handel's music for mime
|
2011 |
McCleave, Sarah |
| The achievements of Charles Jennens (1700-1773)
|
2011 |
Smith, Ruth |
| Handel and Alessandro Scarlatti
|
2011 |
Dean, Winton |
| Who does what, when? : on the instrumentation of th Basso continuo and the use of the organ in Handel's English oratories
|
2011 |
Burrows, Donald |
| Organ playing in the Lateran and other remembrances on Handel : a report in the Voiage Historique of 1737
|
2011 |
Kirkendale, Ursula |
| Joseph Goupy and George Frideric Handel : from professional triumphs to personal estrangement
|
2011 |
Harris, Ellen T. |
| Box office reports for five operas mounted by Handel in London, 1732-1734
|
2011 |
Milhous, Judith |
| Benedetto Pamphilj as librettist : Mary Magdalene and the harmony of the spheres in Handel's Il trionfo del Tempo e del Disinganno
|
2011 |
Linden, Huub van der |
| A newly discovered Water music source
|
2011 |
Best, Terence |
| From Milton to Handel: the transformation of Milton's L'Allegro and Il Penseroso into a musical work for concert performance in the London theatres
|
2011 |
Burrows, Donald |
| Some thoughts on musical organization in L'Allegro, Il Penseroso ed il moderato
|
2011 |
Beeks, Graydon |
| Francesca Cuzzoni and Faustina Bordoni : the rival queens?
|
2011 |
Ograjensek, Suzana |
| George Frideric Handel's 1749 letter to Charles Jennens
|
2011 |
Gudger, William D. |
| Thomas Morell and his letter about Handel
|
2011 |
Smith, Ruth |
| Staging a Handel opera
|
2011 |
Jones, Andrew V. |
| Mythistorica Handeliana
|
2011 |
Cudworth, Charles |
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