| Mythistorica Handeliana
|
2011 |
Cudworth, Charles |
| Handel's ill health : documents and diagnoses
|
2011 |
Hunter, David |
| The unpublished Senesino
|
2011 |
Avanzati, Elisabetta |
| Handel's years as an apprentice to Reinhard Keiser at the Gänsemarkt Opera House (1703-1705)
|
2011 |
Marx, Hans Joachim |
| What did Handel learn from Steffani's operas?
|
2011 |
Timms, Colin |
| Handel's art collection
|
2011 |
Hughes, Alison Meyric |
| Handel's haymarket theater
|
2011 |
Stahura, Mark W. |
| Handel's 1736 performances of Ariodante
|
2011 |
Burrows, Donald |
| Handel, Jennens and Saul: aspects of a collaboration
|
2011 |
Hicks, Anthony |
| John Beard : the tenor voice that inspired Handel
|
2011 |
Jenkins, Neil |
| Handel's relations with the librettists of his operas
|
2011 |
Dean, Winton |
| Handel and the shepherds of Ansbach
|
2011 |
Roberts, John H. |
| Handel and the feuding royals
|
2011 |
McGeary, Thomas |
| Psychological realism in Il Trionfo del tempo e del disinganno
|
2011 |
Smith, Ruth |
| Handel and the confus'd shepherdess: a case study of stylistic eclecticism
|
2011 |
Cummings, Graham |
| From Rinaldo to Orlando, or Senesino's path to madness
|
2011 |
Bucciarelli, Melania |
| Marie Sallé as muse : Handel's music for mime
|
2011 |
McCleave, Sarah |
| The achievements of Charles Jennens (1700-1773)
|
2011 |
Smith, Ruth |
| Handel and Alessandro Scarlatti
|
2011 |
Dean, Winton |
| Who does what, when? : on the instrumentation of th Basso continuo and the use of the organ in Handel's English oratories
|
2011 |
Burrows, Donald |
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