Contemporary Korean art Tansaekhwa and the urgency of method

" Starting in the mid-1960s, a group of Korean artists began to push paint, soak canvas, drag pencils, rip paper, and otherwise manipulate the materials of painting in ways that prompted critics to describe their actions as "methods" rather than artworks. A crucial artistic movement o...

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Bibliographische Detailangaben

1. Verfasser:	Kee, Joan (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	Minneapolis u.a. University of Minnesota Press 2013
Schlagworte:	Tansaekhwa (Art movement) > Art and society > History > Südkorea > Kunst
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