Byrd and the mass proper tradition

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Veröffentlicht in:Heinrich Isaac and polyphony for the proper of the mass in the late Middle Ages and Renaissance
1. Verfasser: McCarthy, Kerry (VerfasserIn)
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Sprache:eng
Veröffentlicht: 2011
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Titel Jahr Verfasser
Polyphonic mass propers from the Braunsberg Jesuit collegium and their local context 2011 Leszcy´nska, Agnieszka
Byrd and the mass proper tradition 2011 McCarthy, Kerry
Chant Adorned : the polyphonic mass proper in the later middle ages and renaissance 2011 Burn, David J. Burn
Who devised the proportional notation in Isaac's Choralis Constantinus? 2011 DeFord, Ruth I.
Fragments of fifteenth-century Northern propers in Portugal 2011 Nelson, Bernadette
The Liber Introitus of Miguel da Fonseca, and a possible improvisatory model 2011 Alvarenga, Joao Pedro d'
Getting proper-ly started : Isaac's "Choralis Constantinus" and the introduction of polyphonic mass propers in south-German monasteries 2011 Eichner, Barbara
Leonhard Paminger's manuscript of mass propers 2011 Burn, David J.
Beyond Munich : Senfl's propers in prints and manuscripts 2011 Gasch, Stefan
Mass propers in the choirbooks of the Benedictine abbey of SS. Ulrich and Afra in Augsburg (1575-1614) : between tradition and reform 2011 Rimek, Tobias
Commercialising the "Choralis Constantinus" : the printing and publishing of the first edition 2011 Gustavson, Royston
The proper of the mass in sixteenth- and early-seventeenth-century lutheran ligurgies and its relationships with other types of "De Tempore" cycles 2011 Lundberg, Matthias
The medieval mass proper, and the arrival of polyphonic proper settings in central europe 2011 Strohm, Reinhard
Isaac's unfinished imperial cycle : a new hypothesis 2011 Rothenberg, David J.
The Choralis Constantinus and the organ 2011 Mahrt, William P.
Isaac, the mass proper, and the motet 2011 Cummings, Anthony M.
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