Time matter(s) invention and re-imagination in conservation ; the unfinished drawing and building of St. Peters, the Vatican
Prologue. Notes on the ontology of remaking mnemic buildingsDay 1. Introduction to a micro-historical study of the renovation of St. Peter's Basilica in the Vatican (1506-1626) -- Day 2. Architecture's twinned body: building and drawing -- Day 3. 'Hallowed configuration': the med...
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| 1. Verfasser: | |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Farnham u.a.
Ashgate
2013
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| Schlagworte: |
Alfarano, Tiberio
> Criticism and interpretation
> Maderno, Carlo
> Basilica di San Pietro in Vaticano
> History
> Architecture
> Conservation and restoration
> Architectural design
> Vatican City
> Buildings, structures, etc
> Peterskirche
> Architektur
> Umbau
> Renovierung
> Bauzeichnung
> Geschichte 1506-1626
> Grundriss
> Geschichte 1571
> Rezeption
> Kollektives Gedächtnis
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Tag hinzufügen | Zusammenfassung: | Prologue. Notes on the ontology of remaking mnemic buildingsDay 1. Introduction to a micro-historical study of the renovation of St. Peter's Basilica in the Vatican (1506-1626) -- Day 2. Architecture's twinned body: building and drawing -- Day 3. 'Hallowed configuration': the mediating role of architectural representation in built conservation -- Day 4. Stratigraphic drawings and the drawings of members: assembling the exquisite corpse -- Day 5. Restoring the corporate body: heteroglossia versus unity of style -- Day 6. Framing the icon: skin-deep conservation versus the imagination of built conservation -- Day 7. Time matter(s): the sempiternal nature of built conservation -- Conclusion: the role of ambiguity and the unfinished in defining built conservation. Prologue. Notes on the ontology of remaking mnemic buildings -- Day 1. Introduction to a micro-historical study of the renovation of St. Peter's Basilica in the Vatican (1506-1626) -- Day 2. Architecture's twinned body: building and drawing -- Day 3. 'Hallowed configuration'. The mediating role of architectural representation in built conservation -- Day 4. Stratigraphic drawings and the drawings of members. Assembling the exquisite corpse -- Day 5. Restoring the corporate body. Heteroglossia versus unity of style -- Day 6. Framing the icon. Skin-deep conservation versus the imagination of built conservation -- Day 7. Time matter(s). The sempiternal nature of built conservation -- Conclusion. The role of ambiguity and the unfinished in defining built conservation. |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIX, 255 S zahlr. Ill., graph. Darst 25 cm |
| ISBN: | 9781409443018 978-1-4094-4301-8 9781409443025 978-1-4094-4302-5 9781472401236 978-1-4724-0123-6 |