Good for what, good for whom? decolonizing music education philosophies

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Veröffentlicht in:The Oxford handbook of philosophy in music education
1. Verfasser: Bradley, Deborah (VerfasserIn)
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Sprache:eng
Veröffentlicht: 2012
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Titel Jahr Verfasser
Introduction 2012 Bowman, Wayne D.
Voicing Imbas : performing a philosophy of music education 2012 Phelan, Helen
Musical education : from identity to becoming 2012 Szekely, Michael
Engaging student ownership of musical ideas 2012 Fiske, Harold
Avoiding the dangers of postmodern nihilist curricula in music education 2012 Walker, Robert
Good for what, good for whom? : decolonizing music education philosophies 2012 Bradley, Deborah
On informalities in music education 2012 Jorgensen, Estelle Ruth
Philosophy of music education as art of life : a deweyan view 2012 Väkevä, Lauri
Learning to live music : musical education as the cultivation of a relationship between self and sound 2012 Pabich, Randall
The grain of the music : does music education "mean" something in Japan? 2012 Imada, Tadahiko
Education in Latin American music schools : a philosphical perspective 2012 Estrada Rodríguez, Luis Alfonso
Must music education have an aim? 2012 Howard, Vernon A.
Nurturing the songcatchers : philosophical issues in the teaching of music composition 2012 Kratus, John
Place, music education, and the practice and pedagogy of philosophy 2012 Stauffer, Sandra
Rethinking philosophy, re-viewing musical-emotional experiences 2012 Elliott, David J.
Uncomfortable with immanence : the nature and value of music and music education as singular or supplemental 2012 Reimer, Bennett
The impossible profession 2012 Higgins, Christopher
Ethical dimensions of school-based music education 2012 Regelski, Thomas A.
What should the music education profession expect of philosophy? 2012 Bowman, Wayne D.
Teaching practices in Persian art music 2012 Naqvi, Erum
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