| Is mode real? : Pietro Aron, the octenary system, and polyphony
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2013 |
Powers, Harold S. |
| Renaissance modal theory : theoretical, compositional, and editorial perspectives
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2013 |
Judd, Cristle Collins |
| Heinrich Glarean reading and editing Boethius
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2013 |
Groote, Inga Mai |
| La diffusion de textes théoretiques francais à la renaissance
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2013 |
Vendrix, Philippe |
| The dissemination and use of European music books in early modern Asia
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2013 |
Irving, David R. M. |
| On compositional process in the Fifteenth century
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2013 |
Blackburn, Bonnie J. |
| Renaissance music theory as literature : on reading the Proportionale Musices of Iohannes Tinctoris
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2013 |
Woodley, Ronald |
| Lute tablature instructions in Italy : a survey of the Regole from 1507 to 1759
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2013 |
Fabris, Dinko |
| Deutsche Musiktheorie im 16. Jahrhundert : geistes- und institutionsgeschichtliche Grundlagen
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2013 |
Niemöller, Klaus Wolfgang |
| Resfacta and Cantare Super Librum
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2013 |
Bent, Margaret |
| On diminution and proportion in Fifteenth-century music theory
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2013 |
DeFord, Ruth I. |
| Modes and planetary song : the musical alliance of ethics and cosmology
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2013 |
Tomlinson, Gary |
| The tradition and science : the Istitutioni harmoniche of Gioseffo Zarlino : introduction to the Facsimile Edition of Gioseffo Zarlino, Le istitutioni harmonice (Venezia, 1561)
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2013 |
Da Col, Paolo |
| You can tell a book by its cover : reflections on format in English music "theory"
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2013 |
Owens, Jessie Ann |
| Music and music theory in the Universities of Cenral Europe during the Fifteenth Century
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2013 |
Ward, Tom R. |
| Aristoxenus redeemed in Renaissance
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2013 |
Palisca, Claude V. |
| Defending the dodecachordon : ideological currents in Glarean's modal theory
|
2013 |
Fuller, Sarah |
| Introduction
|
2013 |
Maniates, Maria R. |
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