| Fremin le Caron at Amiens : new documents
|
2011 |
Wegman, Rob C. |
| A new tenor on "So ys emprentid"
|
2011 |
Blackburn, Bonnie J. |
| Two musical letters from Aragonese Naples
|
2011 |
D'Agostino, Gianluca |
| Johannes Sohier "dit" Fede and St Omer : a story of pragmatic sanctions
|
2011 |
Kirkman, Andrew |
| Yes, we were young...
|
2011 |
Benthem, Jaap van |
| What were they thinking? : "Sola caret monstris" at the papal court
|
2011 |
Sherr, Richard |
| A new song in a strange land? : Garcimuños's "Una montaña pasando"
|
2011 |
Knighton, Tess |
| "Dieu vous doinst hui en bonne estraine tout le desir de vostre cœur" : observations on Binchois's "Margarite, fleur de valeur"
|
2011 |
Jahn, Markus |
| "I must complain" : a comparative study in variant settings
|
2011 |
Rooley, Anthony |
| Heinrich Isaac and shifting musical perspectives, c. 1485-1490
|
2011 |
Polk, Keith |
| Surface, structure and "style" in "Absalon fili mi"
|
2011 |
Milsom, John |
| Who really knows who composed "Mille regretz"?
|
2011 |
Fitch, Fabrice |
| Credit for music in court and city in the low countries, 1467-1500
|
2011 |
Haggh-Huglo, Barbara |
| "David musicus", or: on the consoling power of string music
|
2011 |
Hoffmann-Axthelm, Dagmar |
| The role of music in sixteenth-century German city life : a close look at the iconography of Hans Sachs's and Jost Amman's "Ständebuch"
|
2011 |
Lindmayr-Brandl, Andrea |
| David Fallows and the performance of medieval music
|
2011 |
Page, Christopher |
| Petrarch, Padua, the Malatestas, Du Fay, and "Vergene bella"
|
2011 |
Bent, Margaret |
| With a flourish : melismatic writing in Du Fay's early songs
|
2011 |
Rodin, Jesse |
| Martini and Obrecht : some speculations
|
2011 |
Rifkin, Joshua |
| The art of cellular counterpoint : the motets of Petrus Wilhelmi
|
2011 |
Schmidt-Beste, Thomas |
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