| "Ung Petit cadeau" : verbal and visual play in the Wolfenbütteler Chansonnier
|
2011 |
Alden, Jane |
| Shedding new light (literally) on the Rochester Fascicle : a preliminary report
|
2011 |
Meconi, Honey |
| A suggestion about fauxbourdon
|
2011 |
Haar, James |
| "Portugaler" : Guillaume Du Fay's contribution to instrumental music?
|
2011 |
Welker, Lorenz |
| A reconsideration of the mass cycle by Arnold de Lantins and Ciconia in Bologna Q15
|
2011 |
Endo, Kinuho |
| Three times seven songs by Byrd
|
2011 |
Neighbour, Oliver W. |
| Josquin, two contrafacta, and the lost stanzas of "Comment peult avoir joye"
|
2011 |
Dean, Jeffrey J. |
| Confessional companions : Herpol, Glareanus, and friends
|
2011 |
Fenlon, Iain |
| Fremin le Caron at Amiens : new documents
|
2011 |
Wegman, Rob C. |
| A new tenor on "So ys emprentid"
|
2011 |
Blackburn, Bonnie J. |
| Two musical letters from Aragonese Naples
|
2011 |
D'Agostino, Gianluca |
| Johannes Sohier "dit" Fede and St Omer : a story of pragmatic sanctions
|
2011 |
Kirkman, Andrew |
| Yes, we were young...
|
2011 |
Benthem, Jaap van |
| What were they thinking? : "Sola caret monstris" at the papal court
|
2011 |
Sherr, Richard |
| A new song in a strange land? : Garcimuños's "Una montaña pasando"
|
2011 |
Knighton, Tess |
| "Dieu vous doinst hui en bonne estraine tout le desir de vostre cœur" : observations on Binchois's "Margarite, fleur de valeur"
|
2011 |
Jahn, Markus |
| "I must complain" : a comparative study in variant settings
|
2011 |
Rooley, Anthony |
| Heinrich Isaac and shifting musical perspectives, c. 1485-1490
|
2011 |
Polk, Keith |
| Surface, structure and "style" in "Absalon fili mi"
|
2011 |
Milsom, John |
| Who really knows who composed "Mille regretz"?
|
2011 |
Fitch, Fabrice |
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