| David Fallows and the performance of medieval music
|
2011 |
Page, Christopher |
| Petrarch, Padua, the Malatestas, Du Fay, and "Vergene bella"
|
2011 |
Bent, Margaret |
| With a flourish : melismatic writing in Du Fay's early songs
|
2011 |
Rodin, Jesse |
| Martini and Obrecht : some speculations
|
2011 |
Rifkin, Joshua |
| The art of cellular counterpoint : the motets of Petrus Wilhelmi
|
2011 |
Schmidt-Beste, Thomas |
| Agricola VIII - Obrecht Canon III : "De tous biens plaine" for four stringed instruments
|
2011 |
Fitch, Fabrice |
| Isaac's pre-Italian songs : an over-optimistic hand-list
|
2011 |
Edwards, Warwick |
| Words and music in the sea of long waiting
|
2011 |
Gilbert, Adam Knight |
| The perfect Spanish chapelmaster : the depiction of the composer Ginéz Pérez in Felipe Pedrell' "Hispaniae Schola Musica Sacra"
|
2011 |
Rodríguez-García, Esperanza |
| The "Topstukkendecreet" in Flanders and its musical context : the case of Glareanus' "Dodekachordon"
|
2011 |
Schreurs, Eugeen |
| The difference of early European music
|
2011 |
Strohm, Reinhard |
| "Ung Petit cadeau" : verbal and visual play in the Wolfenbütteler Chansonnier
|
2011 |
Alden, Jane |
| Shedding new light (literally) on the Rochester Fascicle : a preliminary report
|
2011 |
Meconi, Honey |
| A suggestion about fauxbourdon
|
2011 |
Haar, James |
| "Portugaler" : Guillaume Du Fay's contribution to instrumental music?
|
2011 |
Welker, Lorenz |
| A reconsideration of the mass cycle by Arnold de Lantins and Ciconia in Bologna Q15
|
2011 |
Endo, Kinuho |
| Three times seven songs by Byrd
|
2011 |
Neighbour, Oliver W. |
| Josquin, two contrafacta, and the lost stanzas of "Comment peult avoir joye"
|
2011 |
Dean, Jeffrey J. |
| Confessional companions : Herpol, Glareanus, and friends
|
2011 |
Fenlon, Iain |
| Fremin le Caron at Amiens : new documents
|
2011 |
Wegman, Rob C. |
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