| From "Hair" to "Rent": is 'rock' a four-letter word in Broadway
|
2008 |
Warfield, Scott |
| American musical theatre before the twentieth century
|
2008 |
Preston, Katherine K. |
| Non-English-language musical theatre in the United States
|
2008 |
Koegel, John |
| Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920
|
2008 |
Krasner, Orly Leah |
| The melody (and the words) linger on: American musical comedies of the 1920s and 1930s
|
2008 |
Block, Geoffrey |
| New horizons: the musical at the dawn of the twenty-first century
|
2008 |
Coleman, Bud |
| Revisiting classic musicals: revivals, films, television and recordings
|
2008 |
Sternfeld, Jessica |
| The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and "Wicked"
|
2008 |
Laird, Paul R. |
| Images of african americans: african-american musical theatre, "Show Boat" and "Porgy and Bess"
|
2008 |
Graziano, John |
| "We said we wouldn't look back": british musical theatre, 1935-1960
|
2008 |
Snelson, John |
| The coming of the musical play: Rodgers and Hammerstein
|
2008 |
Sears, Ann |
| The successors of Rodgers and Hammerstein from the 1940s to the 1960s
|
2008 |
Riis, Thomas L. |
| Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein
|
2008 |
McClung, Bruce D. |
| Stephen Sondheim and the musical of the outsider
|
2008 |
Lovensheimer, Jim |
| Choreographers, directors and the fully integrated musical
|
2008 |
Laird, Paul R. |
| The megamusical: the creation, internationalisation and impact of a genre
|
2008 |
Prece, Paul |
| "Something borrowed, something blue": the marriage of the musical and Europe
|
2008 |
Sebesta, Judith Lynn |
| American and British operetta in the 1920s: romance, nostalgia and adventure
|
2008 |
Everett, William A. |
| Why do they start to sing and dance all of a sudden? : Examining the film musical
|
2008 |
Wood, Graham |
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