The politics of opera in late seventeenth-century London

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Bibliographische Detailangaben
Veröffentlicht in:	Studies in seventeenth-century opera
1. Verfasser:	Hume, Robert D. (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2010
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Titel	Jahr	Verfasser
Training a singer for "Musica recitativa" in early seventeenth-century Italy: the case of Baldassare	2010	Hill, John Walter
"Didone" by Cavalli and Busnello: from the sources to modern productions	2010	Fabris, Dinko
"La sirena antica dell'Adriatico" : Caterina Porri, a seventeenth-century Roman Prima Donna in the stages of Venice, Bologna, and Pavia	2010	Glixon, Beth Lise
Recovering the Lullian divertissement	2010	Harris-Warrick, Rebecca
Censoring "Eliogabalo" in seventeenth-century Venice	2010
The politics of opera in late seventeenth-century London	2010	Hume, Robert D.
Monteverdi's mimetic art: "L'incoronazione di Poppea"	2010	Rosand, Ellen
On the road with the "Suitcase aria": the transmission of borrowed arias in late seventeenth-century Italian opera revivals	2010	Williams Brown, Jennifer
The articulation of Lully's dramatic dialogue	2010	Rosow, Lois
Opera and the Spanish political agenda	2010	Stein, Louise K.
Singing "Orfeo": on the performers of Monteverdi's first opera	2010	Carter, Tim
What did Handel learn from Steffani's operas?	2010	Timms, Colin
Performance and political allegory in restoration England: what to interpret and when	2010	Walkling, Andrew R.
Re-voicing Arianna (and laments): two women respond	2010	Cusick, Suzanne G.
Tacitus Incognito: opera as history in "L'incoronazione di Poppea"	2010	Heller, Wendy
Dances from the "Four corners of the earth" : exoticism in seventeenth-century Venetian opera	2010	Alm, Irene
Why the first opera given in Paris wasn't Roman	2010	Murata, Maragret