The many beginnings and the one end of world art history in Germany, 1900-1933

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:World art studies: exploring concepts and approaches
1. Verfasser: Halbertsma, Marlite (VerfasserIn)
Format: UnknownFormat
Veröffentlicht: 2008
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Titel Jahr Verfasser
Art and the academic disciplines 2008
Art, aesthetics, and cultural anthropology : retrospect and prospect 2008 Anderson, Richard L.
Portraiture and social stratification 2008 Brown, Donald E.
The common humanity evident in European, African, Indian, Chinese, and Japanese aestethic theory 2008 Scharfstein, Ben-Ami
Primitivism : the primordium lost and found and reinvented 2008 Rhodes, Colin
Neuroarthistory : making more sense of art 2008 Onians, John
Prelude : keeping the world together 2008 Scharfstein, Ben-Ami
Introducing world art studies 2008 Damme, Wilfried van
The geography of art : historiography, issues, and perspectives 2008 DaCosta Kaufmann, Thomas
Origins and principles of world art history : 1900 (and 2000) 2008 Pfisterer, Ulrich
The many beginnings and the one end of world art history in Germany, 1900-1933 2008 Halbertsma, Marlite
Can we invent a world art studies? 2008 Elkins, James
The discourse on contemporary art and the globalization of the art system 2008 Zijlmans, Kitty
Green art studies and the local subconscious 2008 Bièvre, Elisabeth de
Envisioning art worlds : new directions in the anthropology of art 2008 Girshick, Paula D.
Intercultural comparison and art 2008
Constructed identities : portraiture in world art 2008 Borgatti, Jean M.
Modernities in art : how are they "other"? 2008 Clark, John
World art studies and the historiography of Chinese art 2008 Cao Yiqiang
The arts after Darwin : does art have an origin and adaptive function? 2008 Dissanayake, Ellen
Alle Artikel auflisten