Harmony in Jazz Blues : "Footprints" as interpreted by Danilo Pérez, Chic Corea and Herbie Hancock, 1966-2002
|
2014 |
Krieger, Franz |
Aspects of Cuban jazz identity : selected son performances by Marialy Pacheco and Harold López-Nussa
|
2014 |
Bruckner-Haring, Christa |
"All strings attached" (1986) : eine komparative Analyse anhand von "Autumn leaves"
|
2014 |
Szegedi, Márton |
Bill Evans's entrée into modal jazz composition (1962)
|
2014 |
Wason, Robert W. |
Postbop : eine jazzhistorische Positionierung
|
2014 |
Kerschbaumer, Franz |
Chasing the difference : computer-aided comparison of improvisation in postbob, hardbob, and bebop
|
2014 |
Frieler, Klaus |
Aussenansichten : zur prozesshaftigkeit von "Improvisation" im Pablo Held Trio
|
2014 |
Hoffmann, Bernd |
Chromatic harmony in the music of Herbie Hancock and Clare Fischer
|
2014 |
Kahr, Michael |
Historical overview of the development of jazz in Denmark
|
2012 |
Dvinge, Anne |
Jazz in the Netherlands, 1919-2012 : historical outlines of the development of a social and musical praxis
|
2012 |
Rusch, Loes |
Impressionist and expressionist harmony in Jazz, as exemplified by Herbie Hancock
|
2012 |
Krieger, Franz |
Clare Fischer's compositional innovations within the latin jazz Montuno
|
2012 |
DiBlassio, Brian |
Ein historischer Überblick der Jazzentwicklung in Österreich
|
2012 |
Bruckner-Haring, Christa |
Ruß im Gesicht : zur Inszenierung US-amerikanischer Musical Shorts
|
2012 |
Hoffmann, Bernd |
When jazz for foreign : rethinking jazz history
|
2012 |
Gebhardt, Nicholas |
Virtual scenes of interaction? : Jazz and connectedness in the digital age
|
2012 |
Sykes, Tom |
Die Stilistik von Marc Ribot am Beispiel der Masada-Projekte John Zorns
|
2012 |
Szegedi, Márton |
Was ist authentisch? Einige Gedanken und Beobachtungen zum Jazz, nicht nur aus Europa
|
2010 |
Hellhund, Herbert |
Perspectives ans recent tendencies in French Jazz : an overview
|
2010 |
Cotro, Vincent |
Jazz research in Britain
|
2010 |
Whython, Tony |