| Aspects of Cuban jazz identity : selected son performances by Marialy Pacheco and Harold López-Nussa
|
2014 |
Bruckner-Haring, Christa |
| "All strings attached" (1986) : eine komparative Analyse anhand von "Autumn leaves"
|
2014 |
Szegedi, Márton |
| Bill Evans's entrée into modal jazz composition (1962)
|
2014 |
Wason, Robert W. |
| Aussenansichten : zur prozesshaftigkeit von "Improvisation" im Pablo Held Trio
|
2014 |
Hoffmann, Bernd |
| Chromatic harmony in the music of Herbie Hancock and Clare Fischer
|
2014 |
Kahr, Michael |
| Harmony in Jazz Blues : "Footprints" as interpreted by Danilo Pérez, Chic Corea and Herbie Hancock, 1966-2002
|
2014 |
Krieger, Franz |
| Postbop : eine jazzhistorische Positionierung
|
2014 |
Kerschbaumer, Franz |
| Chasing the difference : computer-aided comparison of improvisation in postbob, hardbob, and bebop
|
2014 |
Frieler, Klaus |
| Ein historischer Überblick der Jazzentwicklung in Österreich
|
2012 |
Bruckner-Haring, Christa |
| Virtual scenes of interaction? : Jazz and connectedness in the digital age
|
2012 |
Sykes, Tom |
| Die Stilistik von Marc Ribot am Beispiel der Masada-Projekte John Zorns
|
2012 |
Szegedi, Márton |
| Historical overview of the development of jazz in Denmark
|
2012 |
Dvinge, Anne |
| Jazz in the Netherlands, 1919-2012 : historical outlines of the development of a social and musical praxis
|
2012 |
Rusch, Loes |
| Impressionist and expressionist harmony in Jazz, as exemplified by Herbie Hancock
|
2012 |
Krieger, Franz |
| Clare Fischer's compositional innovations within the latin jazz Montuno
|
2012 |
DiBlassio, Brian |
| Ruß im Gesicht : zur Inszenierung US-amerikanischer Musical Shorts
|
2012 |
Hoffmann, Bernd |
| When jazz for foreign : rethinking jazz history
|
2012 |
Gebhardt, Nicholas |
| Charles Mingus in Europa, Charles Mingus und Europa, oder: Was Charles Mingus über Europa dachte
|
2010 |
Heßler, Hans-Joachim |
| Jazz research in Italy
|
2010 |
Cerchiari, Luca |
| Jazz research in Spain
|
2010 |
Bruckner-Haring, Christa |
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