Sounding out pop analytical essays in popular music

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Bibliographische Detailangaben
Weitere Verfasser:	Spicer, Mark Stuart (HerausgeberIn), Covach, John Rudolph (BerichterstatterIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	Ann Arbor, Mich. University of Michigan Press c 2010
Schriftenreihe:	Tracking pop
Schlagworte:	Popular music > History and criticism > Analysis, appreciation > Aufsatzsammlung > Popmusik > Geschichte
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Titel	Jahr	Verfasser
Leiber and Stoller, the Coasters, and the "Dramatic AABA" form	2010	Covach, John
Ego and Alter Ego : artistic interaction between Bob Dylan and Roger McGuinn	2010	Grier, James
A study of maximally smooth voice leading in the mid-1970s music of Genesis	2010	Holm-Hudson, Kevin
"Regatta de Blanc" : analyzing style in the music of The Police	2010	Spicer, Mark
Vocal authority and listener engagement : musical and narrative expressive strategies in the songs of female pop-rock-artists, 1993-95	2010	Burns, Lori
"Only the lonely" : Roy Orbison's sweet west Texas style	2010	Zak, Albin
Marvin Gaye as vocal composer	2010	Flory, Andrew
Recombinant style topics : the past and future of sampling	2010	Leydon, Rebecca
"I'm not here, this isn't happening" : the vanishing subject in Radiohead's Kid A	2010	Tatom Letts, Marianne