The national and beyond the globalisation of Finnish cinema in the films of Aki and Mika Kaurismäki

The cultural context of the Kaurismäkis: Finnish films for Finnish people? -- Developing post-national forms of cinema, 1981-1985. Displaced souls lost in Finland: the Kaurismäki's films as the cinema of the marginalised -- Between convergence and divergence: the transvergent cinemas of Aki and...

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1. Verfasser: Kääpä, Pietari (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Oxford, Bern, Berlin, Frankfurt am Main, Wien u.a. Lang 2010
Schriftenreihe:New studies in European cinema 12
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Zusammenfassung:The cultural context of the Kaurismäkis: Finnish films for Finnish people? -- Developing post-national forms of cinema, 1981-1985. Displaced souls lost in Finland: the Kaurismäki's films as the cinema of the marginalised -- Between convergence and divergence: the transvergent cinemas of Aki and Mika Kaurismäki -- life in a capitalist welfare state: marginal hope and dystopian prophecies -- Socio-economic exclusion and the fragmented individual. Aki Kaurismäki's proletarian trilogy and Hamlet Liikemaailmassa -- Mika Kaurismäki's "life-politics trilogy" post-nationalism between the welfare state and global capitalism -- The international adventures of the Kaurismäkis. The search for post-national stability: Mika Kaurismäki's international films, 1987-1990 -- The problems of post-national integration: Aki Kaurismäki's international films, 1989-1992 -- Transnational travel and the difficulty of "home": projecting the post-national condition for an EU-integrated Finland -- A return to home: Aki Kaurismäki's Leningrad cowboys meet Moses, Total balalaika show and Pida Huivistasi Kiinni Tatjana -- A farewell to Finland: Mika Kaurismäki's The last border and Tigrero, the film that was never made -- Conclusion.
Beschreibung:Includes bibliographical references
Beschreibung:VIII, 289 S
23 cm
ISBN:9783039119660
978-3-03911-966-0
3039119664
3-03911-966-4