| Narcocorridos : an emerging micromusic of Nuevo L. A.
|
2001 |
Simonett, Helena |
| Sounds like the mall of America : programmed music and the architectonics of commercial space
|
1997 |
Sterne, Jonathan |
| Formal performance : the relations of music, text and dance in arnhem land clan song
|
1984 |
Clunies Ross, Margaret |
| Two springar dance traditions from western Norway
|
1984 |
Sundstedt Beal, Daniel |
| Traditional arab music ensembles in Egypt since 1967 : "The continuity of tradition within a contemporary framework"?
|
1984 |
El-Shawan, Salwa |
| "Ngoma" : Swahili adult song performance in context
|
1984 |
Campbell, Carol A. |
| Folk music in Trentino : oral transmission and the use of vernacular languages
|
1984 |
Sorce Keller, Marcello |
| Music mediated and live in Japan
|
1984 |
Keil, Charles |
| "Are you all unhappy at a twenty dollar bill?" : text, tune and context at antique auctions
|
1984 |
Miller, Geoffrey |
| Sound structure as social structure
|
1984 |
Feld, Steve |
| The social structuring of sound : the temiar of peninsular Malaysia
|
1984 |
Roseman, Marina |
| A fresh look at the concept of tune family
|
1984 |
Cowdery, James R. |
| Jamaican children's songs
|
1984 |
Hopkin, John Barton |
| The impact of language on musical composition in Ghana : an introduction to the musical style of Ephraim Amu
|
1984 |
Kofi Agawu, V. |
| In Honor of our principal teachers
|
1984 |
Nettl, Bruno |
| The urban-mestizio charango tradition in Southern Peru : a statement of shifting identity
|
1984 |
Turino, Thomas |
| Ritual and theatre in Tewa ceremonial performance
|
1983 |
Drayson Sweet, Jill |
| Creative process in Cantonese opera II : the process of t'ien tz'u (text-setting)
|
1983 |
Yung, Bell |
| Creative process in Cantonese opera III : the role of padding syllables
|
1983 |
Yung, Bell |
| Music as propaganda : art at the command of doctrine in the people's Republic of China
|
1983 |
Perris, Arnold |
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