The Nature of Expressivity in Berio`s Sequenza VI for Viola

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Bibliographische Detailangaben
Veröffentlicht in:	Berio's "Sequenzas"
1. Verfasser:	Bayley, Amanda (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2007
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Titel	Jahr	Verfasser
Rhythm and Timing in the Two Versions of Berio`s Sequenza I for Flute solo : psychological and Musical Differences in Performance	2007	Folio, Cynthia
A Dress or a Straightjacket? : Facing the Problems of Structure and Periodicity Posed by the Notation of Berio`s Sequenza VII for Oboe	2007	Alessandrini, Patricia
Phantom Rhythmus, Hidden Harmonies : The Use of the Sostenuto Pedal in Berio`s Sequenza IV for Piano, Leaf and Sonata	2007	Browder Doll, Zoe
The Compass of Communications in Sequenza VIII for Violin	2007	Montague, Eugene
... and so a chord consoles us : Berio`s Sequenza XIII (Chanson) for Accordion	2007	Gartmann, Thomas
Sequenza IX for Clarinet : Text, Pre-Text, Con-Text	2007	Cremaschi, Andrea
Proliferations and Limitations : Berio`s Reworking of the Sequenzas	2007	Venn, Edward
Vestiges of Twelve-Tone Practice as Compositional Process in Berio`s Sequenza I for Solo flute	2007	Priore, Irna
A Polyphonic Type of Listening In and Out for Focus : Berio`s Sequenza XI for Guitar	2007	Porcaro, Mark D.
Rough Romance : Sequenza II for Harps as Study and Statement	2007	Whatley, Kirsty
Shadow Boxing : Sequenza X for Trumpet and Piano Resonance	2007	Impett, Jonathan
Provoking Acts : the Theatre of Berio`s Sequenzas	2007	Halfyard, Janet K.
The Chemins Series	2007	Roberts, Paul
Sonic Complexity and Harmonic Syntax in Sequenza IV for Piano	2007	Guigue, Didier
The Nature of Expressivity in Berio`s Sequenza VI for Viola	2007	Bayley, Amanda