Reconsidering Stanislavsky feeling, feminism, and the actor

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Veröffentlicht in:The performance studies reader
1. Verfasser: Blair, Rhonda (VerfasserIn)
Format: UnknownFormat
Veröffentlicht: 2007
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Titel Jahr Verfasser
Blurred genres : the refiguration of social thought 2007 Geertz, Clifford
Liminality and communitas 2007 Turner, Victor
"Performance" and other analogies 2007 Bell, Catherine
"The blood that runs through the veins" : the creation of identity and a client's experience of Cuban-American Santería Dilogún divination 2007 Atwood Manson, Michael
The nature and significance of play as a cultural phenomenon 2007 Huizinga, Johan
Excerpt from "signature event context" 2007 Derrida, Jacques
The deep order called turbulence : the three faces of dramaturgy 2007 Barba, Eugenio
Translating performance 2007 Taylor, Diana
Performance studies 2007 Kirshenblatt-Gimblett, Barbara
Performances : belief in the part one is playing 2007 Goffman, Erving
A theory of play and fantasy 2007 Bateson, Gregory
The ambiguity of play : rhetorics of fate 2007 Sutton-Smith, Brian
Falling apart to stay together : deep play in the Grand Mardi Gras 2007 Ancelet, Barry Jean
A dialogue about acting 2007 Brecht, Bertolt
The actor's technique 2007 Grotowsky, Jerzy
Presenting and re-presenting the self : from not-acting to acting in African performance 2007 Harding, Frances
First attempts at a stylized theatre 2007 Meyerhold, Vsevolod
Performance studies : the broad spectrum approach 2007 Schechner, Richard
The liminal-norm 2007 McKenzie, John
Marina Abramović : witnessing shadows 2007 Phelan, Peggy
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