| Kay Sage, modern architecture, and the tyranny of geometry
|
2022 |
Miller, James H. |
| Our restless hearts
|
2022 |
Palmer, Eugene |
| Joan Logue's newly rediscovered and digitized words, 1-5
|
2022 |
Shaskevich, Helena |
| A suitable distance? : revisiting a millennial approach to curating art in the Carribean
|
2022 |
Wainwright, Leon |
| Through the Guillotine mirror : Claude Cahun's theory of trans against the void
|
2022 |
Reznick, Jordan |
| Feeling into Paula Dawson's holograms
|
2022 |
Valyi-Nagy, Zsofi |
| When seeing expires : art history and the work of Alison Rossiter
|
2022 |
Gal, Noam |
| A clamoring revolt : restaging, reseeing, and reteaching the Womb Chair
|
2022 |
Makker, Kirin Joya |
| "Casta State" of mind : Michael Menchaca and the graphic revolution of caste
|
2022 |
Benay, Erin E. |
| Reading and witnessing cage by Jade Montserrat and Webb-Ellis
|
2022 |
Moore, Alexandra |
| Jan Sawka's screen play
|
2022 |
Schwenger, Peter |
| Rotimi Fani-Kayode and Eikoh Hosoe : surrealism and the specter of death in the 1980s
|
2022 |
Bourland, W. Ian |
| In conversation with Cildo Meireles
|
2022 |
Roman, Ana |
| The uncertain body : Lin Tianmiao's mother machine and postsocialist biopolitics
|
2022 |
Huang, Linda |
| Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads
|
2021 |
Branfman-Verissimo, Lukaza |
| Delete the idea down : James Lee Byars and the performance of abbreviation
|
2021 |
Johnson, Dominic |
| In improvisation
|
2021 |
Charles, Michael Ray |
| Living color : Henryk Stażewski's interior models
|
2021 |
Zboralska, Marta |
| Creeping tender
|
2021 |
Reza Dorriz, Alexandre Ali |
| Unwatchable : Alfredo Jaar, lament of the images (2002), and the ends of representation
|
2021 |
Chakravorty, Swagato |
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