| Music, gender and the erotic in Italian visual culture of the 16th century : introduction
|
2023 |
Chang, Samantha |
| Transcending the body : music, chastity and ecstasy in Reni's "St Cecilia playing the violin"
|
2023 |
Harris, Sigrid |
| Romanizing Chinese : word-tone relations in Athanasius Kircher's "China illustrata"
|
2023 |
Levenberg, Jeffrey |
| Aesthetic expression "an das Clavier" : performing character in the keyboard music of C. P. E. Bach
|
2023 |
Fick, Kimary |
| Fifty years of debate in "Early Music"
|
2023 |
Mason, Joseph |
| "Early Music" and materiality : 1
|
2023 |
Knighton, Tess |
| Will she or won't she? : the ambivalence of female musicianship in two paintings by Bernardino Licinio (1489-1565)
|
2023 |
Henry, Chriscinda |
| "With the base Viall placed between my Thighes" : musical instruments and sexual subtext in Titian's "Venus with musician" series
|
2023 |
Bandy, Malachai Komanoff |
| Music and love in Sigismondo Fanti's "Triompho di Fortuna" (1527)
|
2023 |
Page, Annabelle |
| "Magnificence of promises" : novelty instruments in concert in Britain, c.1750-1800
|
2023 |
Durkin, Rachael |
| Rediscovering Arnold Dolmetsch : going back to the sources of the early music revival
|
2023 |
Irving, David R. M. |
| Hidalgo's golden age in sound : Hispanic songs on recordings since 1966
|
2023 |
Stein, Louise K. |
| The evolution of "Early Music"
|
2023 |
Bent, Margaret |
| Very early music in "Early Music"
|
2023 |
Deeming, Helen |
| Madrigal or canzona? : performing intellectual and sensual pleasure in Jacopo Tintoretto's "Women making music"
|
2023 |
Swanson, Barbara |
| Musical instruments in the Venetian home : contextualizing Marietta Robusti's self-portait
|
2023 |
Hurley, Bláithín |
| An alluring sight of music : the musical "courtesan" in the Cinquecento
|
2023 |
Ventura Nieto, Laura |
| When the CD was king : reminiscenes of a reviews editor
|
2023 |
Fitch, Fabrice |
| "Triumph, victorious love" : "Le Triomphe de l'Amour" (1681) and English dramatic opera
|
2023 |
Tuppen, Sandra |
| Performer, composer and impresario : Thomas Vincent Jr. (c.1723-1798) and the oboe in London, 1748-1768
|
2023 |
Johnson, Blake |
Tag hinzufügen