Kay Sage, modern architecture, and the tyranny of geometry
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2022 |
Miller, James H. |
Our restless hearts
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2022 |
Palmer, Eugene |
Joan Logue's newly rediscovered and digitized words, 1-5
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2022 |
Shaskevich, Helena |
Feeling into Paula Dawson's holograms
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2022 |
Valyi-Nagy, Zsofi |
When seeing expires : art history and the work of Alison Rossiter
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2022 |
Gal, Noam |
A clamoring revolt : restaging, reseeing, and reteaching the Womb Chair
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2022 |
Makker, Kirin Joya |
"Casta State" of mind : Michael Menchaca and the graphic revolution of caste
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2022 |
Benay, Erin E. |
Reading and witnessing cage by Jade Montserrat and Webb-Ellis
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2022 |
Moore, Alexandra |
A suitable distance? : revisiting a millennial approach to curating art in the Carribean
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2022 |
Wainwright, Leon |
Through the Guillotine mirror : Claude Cahun's theory of trans against the void
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2022 |
Reznick, Jordan |
Jan Sawka's screen play
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2022 |
Schwenger, Peter |
Rotimi Fani-Kayode and Eikoh Hosoe : surrealism and the specter of death in the 1980s
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2022 |
Bourland, W. Ian |
In conversation with Cildo Meireles
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2022 |
Roman, Ana |
The uncertain body : Lin Tianmiao's mother machine and postsocialist biopolitics
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2022 |
Huang, Linda |
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads
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2021 |
Branfman-Verissimo, Lukaza |
Delete the idea down : James Lee Byars and the performance of abbreviation
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2021 |
Johnson, Dominic |
In improvisation
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2021 |
Charles, Michael Ray |
Living color : Henryk Stażewski's interior models
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2021 |
Zboralska, Marta |
Advice for the young artist
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2021 |
Ligon, Glenn |
Abstracted resistance : third-worldism in Rubem Valentim's Afro-Brazilian symbolism, 1963-66
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2021 |
Lapin Dardashti, Abigail |