Perceptions of Goethe and Schubert

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Bibliographische Detailangaben
Veröffentlicht in:	Music and literature in German romanticism
1. Verfasser:	Byrne Bodley, Lorraine (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2004
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Titel	Jahr	Verfasser
[Rezension von: Music and literature in German romanticism, edited by Siobhán Donovan and Robin Elliott]	2007	Kolb, Jocelyne
Iniquitous innocence: the ambiguity of music in the "Phantasien über die Kunst" (1799)	2004	Littlejohns, Richard
Musical Gypsies and anti-classical aesthetics: the Romantic reception of Goethe's Mignon character in Brentano's "Die mehreren Wehmüller und ungarische Nationalgesichter"	2004	Bach, Stefanie
"My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649	2004	Parsons, James
The cosmic-symphonic: Novalis, music, and universal discourse	2004	Hodkinson, James
Perceptions of Goethe and Schubert	2004	Byrne Bodley, Lorraine
Goethe's "Egmont", Beethoven's "Egmont"	2004	Hill, David
A tale of two "Fausts": an examination of reciprocal influence in the responses of Liszt and Wagner to Goethe's "Faust"	2004	Larkin, David
Stages of imagination in music and literature: E. T. A. Hoffmann and Hector Berlioz	2004	Hübener, Andrea
The notion of personae in Brahms's "Bitteres zu sagen denkst du," op. 32, no. 7: a literary key to musical performance?	2004	Loges, Natasha
"Das Hören ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the aesthetics of music	2004	Strässle, Thomas
Music and non-verbal reason in E. T. A. Hoffmann	2004	Riou, Jeanne
The voice from the hereafter: E. T. A. Hoffmann's ideal of sound and its realization in early twentieth-century electronic music	2004	Keil, Werner