| Taeuber, Arp, and the politics of cross-stitch
|
2009 |
Obler, Bibiana |
| Burgkmair's "Peoples of Africa and India" (1508) and the origins of ethnography in print
|
2009 |
Leitch, Stephanie |
| "The Sultan's Authority": Delacroix, painting, and politics at the salon of 1845
|
2009 |
Olmsted, Jennifer W. |
| Nature and the ideal in Khnopff's "Avec Verhaeren": "Un Ange" and "Art, or the Caresses"
|
2009 |
Cole, Brendan |
| Caricature and the New Negro in the work of Archibald Motley Jr. and Palmer Hayden
|
2009 |
Wolfskill, Phoebe |
| Burgkmair's "Peoples of Africa and India" (1508) and the origins of ethnography in print
|
2009 |
Leitch, Stephanie |
| Middleman: Antoine Watteau and "Les Charmes de la Vie"
|
2009 |
Sund, Judy |
| G. B. Tiepolo at Valmarana: gender ideology in a Patrician Villa of the Settecento
|
2009 |
Broude, Norma |
| A passion for business: Wanamaker's, Munkácsy, and the depiction of Christ
|
2009 |
Morowitz, Laura |
| Rubens and the northern past: the Michielsen Triptych and the thresholds of modernity
|
2009 |
Jacobs, Lynn F. |
| Attributing influence : the problem of female patronage in fifteenth-century Florence
|
2008 |
Solum, Stefanie |
| The body of Eve in Andrea Pisano's Creation relief
|
2008 |
Greenstein, Jack M. |
| Moors and the bullfight : history and national identity in Goya's "Tauromaquia"
|
2008 |
Schulz, Andrew |
| Heroic indolence : realism and the politics of time in Raffae͏̈lli's "Absinthe Drinkers"
|
2008 |
Young, Marnin |
| The ethics of perception : Josef Albers in the United States
|
2008 |
Diaz, Eva |
| The subversion of gravity in Jackson Pollock's abstractions
|
2008 |
Cernuschi, Claude |
| Gustave Moreau and the reinvention of history painting
|
2008 |
Cooke, Peter |
| Raphael's "Transfiguration" as visio-devotional program
|
2008 |
Kleinbub, Christian K. |
| The medieval masons' lodge as paradigm in Peter Behrens's "Dombauhütte" in Munich, 1922
|
2008 |
Anderson, Ross |
| Contested terrain : Gustave Courbet's hunting scenes
|
2008 |
Tseng, Shao-Chien |
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