| Music Streaming and Surveillance Capital
|
2023 |
Sinclair, Gary |
| Music Festivals and the Everyday Nature of Extraordinary Experiences
|
2023 |
Daskalopoulou, Athanasia |
| Selling Secrets: The Role of "Elusivity" in the Liminoid Invitations of Immersive Theatre
|
2023 |
Bucknall, Joanna Jayne |
| Poetic Orientation for Creating and Writing
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2023 |
Rojas-Gavira, Pilar |
| Accounting for the Selection of Exhibits: Examining the Organisation of Gallery Talks as a Marketing Activity
|
2023 |
Vom Lehn, Dirk |
| Marketing through Art: The Case of Branded Entertainment
|
2023 |
Stolley, Katharina |
| Virtual Reality, Film Markting, and Value
|
2023 |
Janes, Stephanie |
| Researching Artistic Production: The Material Turn in Arts Marketing Research
|
2023 |
Borgblad, Hanna |
| Consuming Cuba through Dance: An Embodied Ethnography of Salsa
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2023 |
Rodner, Victoria |
| For Sale, Baby Shoes, Never Worn: What Has Hemingway Ever Done for Us?
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2023 |
Brown, Stephen |
| Arts Marketing & Entrepreneurship: Insights from the Nigerian Music Industry
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2023 |
Madichie, Nnamdi O. |
| Marketing Nigerian Films
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2023 |
Ezepue, Ezinne M. |
| Marketing Art Films in Contemporary China: Between the Rock of Politics and the Hard Place of Economy
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2023 |
Nakajima, Seio |
| The Marketing of the Arts in the Age of Curatorial Production
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2023 |
Waters, Matthew |
| Introduction: Marketing the Arts - Breaking Boundaries
|
2023 |
Kerrigan, Finola |
| Arts Marketing, Social Justice Activism, and Government Messaging in the Age of Social Media
|
2023 |
Sobande, Francesca |
| Drawing with Women: Ethical Considerations from an Art-Based Project on Domestic Violence
|
2023 |
Cappellini, Benedetta |
| The Many Faces of Indigenous Art: Indigenous Art Market and Decolonising Perspectives
|
2023 |
Chow, Ai Ming |
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