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2023 |
Colton, Simon |
| Al-rmonies of the Spheres
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2023 |
Riber, Adridan Garcia |
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2023 |
McCormack, Jon |
| Artistic Curve Steganography Carried by Musical Audio
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2023 |
Tralie, Christopher J. |
| Transposition of Simple Waveforms from Raw Audio with Deep Learning
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2023 |
Donnelly, Fatrick J. |
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2023 |
Vatolkin, Igor |
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Lopes, Daniel |
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2023 |
Adkins, Sara |
| Is Beauty in the Age of the Beholder?
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2023 |
Easton, Edward |
| SketchSynth: Cross-Modal Control of Sound Synthesis
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2023 |
Löbbers, Sebastian |
| Using Autoencoders to Generate Skeleton-Based Typography
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2023 |
Parente, Jéssica |
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2023 |
Vechtomova, Olga |
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2023 |
Guljajeva, Varvara |
| Application of Neural Architecture Search to Instrument Recognition in Polyphonic Audio
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2023 |
Fricke, Leonard |
| Towards the Evolution of Prompts with MetaPrompter
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2023 |
Martins, Tiago |
| Using GPT-3 to Achieve Semantically Relevant Data Sonificiation for an Art Installation
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2023 |
Ocampo, Rodolfo |
| GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers
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2023 |
Sarmento, Pedro |
| Searching for Human Bias Against AI-Composed Music
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2023 |
Zlatkov, Dimiter |
| OSC-Qasm: Interfacing Music Software with Quantum Computing
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2023 |
Hamido, Omar Costa |
| Chordal Embeddings Based on Topology of the Tonal Space
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2023 |
Ayzenberg, Anton |
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