| Foundation of kindness, shared experiences, shared burden
|
2024 |
Woollett, Lucy |
| Writing time : the "Shufa" of Fung Ming Chip
|
2024 |
Greenberg, Daniel M. |
| Art as surgery : hygiene politics in Zhang Peili's glove art, 1985-91
|
2024 |
Kang, Jiaqi |
| Robert Blanchon : AIDS and the question of conceptualism
|
2024 |
Oetting, Blake |
| "El cuerpo de verdad" : the potency of Magali Lara's unpictured bodies
|
2023 |
Borowitz, Maggie |
| Black Op art
|
2023 |
Young, Olivia K. |
| Container of memory : ideas, methods, images
|
2023 |
Bin, Fu |
| Ruptured envelopes, double shells : skins in art in the age of global mobility
|
2023 |
Aldouby, Hava |
| "The senses pointing towards a new transformation" : on touch, collectivity, and Lygia Clark's "The I and the You" at the first International Tactile Sculpture Symposium, 1969
|
2023 |
Carter, Kristen |
| Resonant presence : materiality and memory in the work of Suchitra Mattai
|
2023 |
Magnatta, Sarah |
| Petrit Halilaj's memory objects
|
2023 |
Neris Yüksel, Hanife |
| Race, whiteness, and absence in studio practice
|
2023 |
Gonzales-Day, Ken |
| Dreaming of childhood
|
2023 |
Doolan, Bernadette |
| Song Dong's performative futility : action, impact, and efficacy in contemporary Chinese performance art
|
2023 |
Lin, Nancy P. |
| Touchstones : Lucy Lippard's overlay and the politics of prehistory
|
2023 |
Falconer, Morgan |
| Returning to the scene of the crime : gendered and racialized violence in Ana Mendieta's "Rape scene"
|
2023 |
White, Bryony |
| Caring to notice : Sera Waters' disentangled pasts, attentive reparation and truth-telling toward survivable futures
|
2023 |
Sliwinska, Basia |
| Kay Sage, modern architecture, and the tyranny of geometry
|
2022 |
Miller, James H. |
| Our restless hearts
|
2022 |
Palmer, Eugene |
| Joan Logue's newly rediscovered and digitized words, 1-5
|
2022 |
Shaskevich, Helena |
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