| Transposition and Time-Scaling Invariant Algorithm for Detecting Repeated Patterns in Polyphonic Music
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2022 |
Laaksonen, Antti |
| Euler’s "Tentamen": Historical and Mathematical Aspects on the Consonance Theory
|
2022 |
Cannas, Sonia |
| Extended Vuza Canons
|
2022 |
Lanzarotto, Greta |
| Transformations for Pairwise Well-Formed Modes
|
2022 |
Noll, Thomas |
| SUM Classes and Quotient Generalized Interval Systems
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2022 |
Orvek, David |
| Tetrachordal Folding Operations
|
2022 |
Yust, Jason |
| Non-spectral Transposition-Invariant Information in Pitch-Class Sets and Distributions
|
2022 |
Yust, Jason |
| Quantum-Musical Explorations on Zn
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2022 |
Noll, Thomas |
| Persistent Homology on Musical Bars
|
2022 |
Callet, Victoria |
| A Set-Theoretic Model of Meter and Metric Dissonance
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2022 |
Cohn, Richard |
| On the Memory Usage of the SIA Algorithm Family for Symbolic Music Pattern Discovery
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2022 |
Laaksonen, Antti |
| A New Fitness Function for Evolutionary Music Composition
|
2022 |
Martínez-Rodríguez, Brian |
| Hypercube + Rubik’s Cube + Music = HyperCubeHarmonic
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2022 |
Mannone, Maria |
| A Mathematical Model of Tonal Function (I): Voice Leadings
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2022 |
Pozo, Isaac del |
| Formal Structures of a Harmony in the Parabola
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2022 |
Delgado Vega, Edgar Armando |
| Benford’s Law and Music Note Frequencies
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2022 |
Nelson, Sybil Prince |
| When Virtual Reality Helps Fathom Mathemusical Hyperdimensional Models
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2022 |
Baroin, Gilles |
| An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance
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2022 |
Popoff, Alexandre |
| New Insights on Diatonicity and Majorness
|
2022 |
Jedrzejewski, Franck |
| Some Mathematical and Computational Relations Between Timbre and Color
|
2022 |
Mannone, Maria |
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