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2022 |
Nuño, Luis |
| Spline Modeling of Audio Signals with Cycle Interpolation
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2022 |
Klassen, Matt |
| A Proposal to Compare the Similarity Between Musical Products. One More Step for Automated Plagiarism Detection?
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2022 |
López-García, Aarón |
| Computational Analysis of Musical Structures Based on Morphological Filters
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2022 |
Lascabettes, Paul |
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2022 |
Fiorot, Luisa |
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2022 |
Romero-García, Gonzalo |
| Investigating Style with Scale Embeddings
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2022 |
Chiu, Matt |
| When Virtual Reality Helps Fathom Mathemusical Hyperdimensional Models
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2022 |
Baroin, Gilles |
| An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance
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2022 |
Popoff, Alexandre |
| New Insights on Diatonicity and Majorness
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2022 |
Jedrzejewski, Franck |
| Some Mathematical and Computational Relations Between Timbre and Color
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2022 |
Mannone, Maria |
| A Projection-Oriented Mathematical Model for Second-Species Counterpoint
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2022 |
Agustín-Aquino, Octavio A. |
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2022 |
Peck, Robert W. |
| Identifying Metric Types with Optimized DFT and Autocorrelation Models
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2022 |
Chiu, Matt |
| Performing Easley Blackwood’s Twelve Microtonal Etudes: An Open-Source Software Development Project
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2022 |
Leinecker, Richard |
| midiVERTO: A Web Application to Visualize Tonality in Real Time
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2022 |
Harasim, Daniel |
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2022 |
Keenan, Dave |
| A Mathematical Model of Tonal Function (II): Modulation
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2022 |
Pozo, Isaac del |
| Continuous Chromagrams and Pseudometric Spaces of Sound Spectra
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2022 |
Lenchitz, Jordan |
| Altered Chord Alternatives
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2022 |
Ruth, Lauren C. |
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