Parsimonious Graphs for Selected Heptatonic and Pentatonic Scales
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2022 |
Nuño, Luis |
Spline Modeling of Audio Signals with Cycle Interpolation
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2022 |
Klassen, Matt |
A Proposal to Compare the Similarity Between Musical Products. One More Step for Automated Plagiarism Detection?
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2022 |
López-García, Aarón |
Computational Analysis of Musical Structures Based on Morphological Filters
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2022 |
Lascabettes, Paul |
The Mystery of Anatol Vieru’s Periodic Sequences Unveiled
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2022 |
Fiorot, Luisa |
Mathematical Morphology Operators for Harmonic Analysis
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2022 |
Romero-García, Gonzalo |
Investigating Style with Scale Embeddings
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2022 |
Chiu, Matt |
A Set-Theoretic Model of Meter and Metric Dissonance
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2022 |
Cohn, Richard |
On the Memory Usage of the SIA Algorithm Family for Symbolic Music Pattern Discovery
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2022 |
Laaksonen, Antti |
A New Fitness Function for Evolutionary Music Composition
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2022 |
Martínez-Rodríguez, Brian |
Hypercube + Rubik’s Cube + Music = HyperCubeHarmonic
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2022 |
Mannone, Maria |
A Mathematical Model of Tonal Function (I): Voice Leadings
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2022 |
Pozo, Isaac del |
Formal Structures of a Harmony in the Parabola
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2022 |
Delgado Vega, Edgar Armando |
Benford’s Law and Music Note Frequencies
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2022 |
Nelson, Sybil Prince |
When Virtual Reality Helps Fathom Mathemusical Hyperdimensional Models
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2022 |
Baroin, Gilles |
An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance
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2022 |
Popoff, Alexandre |
New Insights on Diatonicity and Majorness
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2022 |
Jedrzejewski, Franck |
Some Mathematical and Computational Relations Between Timbre and Color
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2022 |
Mannone, Maria |
A Projection-Oriented Mathematical Model for Second-Species Counterpoint
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2022 |
Agustín-Aquino, Octavio A. |
Combinatorial Spaces
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2022 |
Peck, Robert W. |