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2022 |
Baroin, Gilles |
| An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance
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2022 |
Popoff, Alexandre |
| New Insights on Diatonicity and Majorness
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2022 |
Jedrzejewski, Franck |
| Some Mathematical and Computational Relations Between Timbre and Color
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2022 |
Mannone, Maria |
| A Projection-Oriented Mathematical Model for Second-Species Counterpoint
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2022 |
Agustín-Aquino, Octavio A. |
| Combinatorial Spaces
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2022 |
Peck, Robert W. |
| Identifying Metric Types with Optimized DFT and Autocorrelation Models
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2022 |
Chiu, Matt |
| Performing Easley Blackwood’s Twelve Microtonal Etudes: An Open-Source Software Development Project
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2022 |
Leinecker, Richard |
| midiVERTO: A Web Application to Visualize Tonality in Real Time
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2022 |
Harasim, Daniel |
| N2D3P9
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2022 |
Keenan, Dave |
| A Mathematical Model of Tonal Function (II): Modulation
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2022 |
Pozo, Isaac del |
| Continuous Chromagrams and Pseudometric Spaces of Sound Spectra
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2022 |
Lenchitz, Jordan |
| Altered Chord Alternatives
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2022 |
Ruth, Lauren C. |
| Information Synthesis of Time-Geometry QCurve for Music Retrieval
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2022 |
Steinmetz, Shannon |
| Transposition and Time-Scaling Invariant Algorithm for Detecting Repeated Patterns in Polyphonic Music
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2022 |
Laaksonen, Antti |
| Euler’s "Tentamen": Historical and Mathematical Aspects on the Consonance Theory
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2022 |
Cannas, Sonia |
| Extended Vuza Canons
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2022 |
Lanzarotto, Greta |
| Transformations for Pairwise Well-Formed Modes
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2022 |
Noll, Thomas |
| SUM Classes and Quotient Generalized Interval Systems
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2022 |
Orvek, David |
| Tetrachordal Folding Operations
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2022 |
Yust, Jason |
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