| Transposition and Time-Scaling Invariant Algorithm for Detecting Repeated Patterns in Polyphonic Music
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2022 |
Laaksonen, Antti |
| Euler’s "Tentamen": Historical and Mathematical Aspects on the Consonance Theory
|
2022 |
Cannas, Sonia |
| Extended Vuza Canons
|
2022 |
Lanzarotto, Greta |
| Transformations for Pairwise Well-Formed Modes
|
2022 |
Noll, Thomas |
| SUM Classes and Quotient Generalized Interval Systems
|
2022 |
Orvek, David |
| Tetrachordal Folding Operations
|
2022 |
Yust, Jason |
| Non-spectral Transposition-Invariant Information in Pitch-Class Sets and Distributions
|
2022 |
Yust, Jason |
| Quantum-Musical Explorations on Zn
|
2022 |
Noll, Thomas |
| Persistent Homology on Musical Bars
|
2022 |
Callet, Victoria |
| Parsimonious Graphs for Selected Heptatonic and Pentatonic Scales
|
2022 |
Nuño, Luis |
| Spline Modeling of Audio Signals with Cycle Interpolation
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2022 |
Klassen, Matt |
| A Proposal to Compare the Similarity Between Musical Products. One More Step for Automated Plagiarism Detection?
|
2022 |
López-García, Aarón |
| Computational Analysis of Musical Structures Based on Morphological Filters
|
2022 |
Lascabettes, Paul |
| The Mystery of Anatol Vieru’s Periodic Sequences Unveiled
|
2022 |
Fiorot, Luisa |
| Mathematical Morphology Operators for Harmonic Analysis
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2022 |
Romero-García, Gonzalo |
| Investigating Style with Scale Embeddings
|
2022 |
Chiu, Matt |
| When Virtual Reality Helps Fathom Mathemusical Hyperdimensional Models
|
2022 |
Baroin, Gilles |
| An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance
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2022 |
Popoff, Alexandre |
| New Insights on Diatonicity and Majorness
|
2022 |
Jedrzejewski, Franck |
| Some Mathematical and Computational Relations Between Timbre and Color
|
2022 |
Mannone, Maria |
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