MUGEETION: MUSICAL INTERFACE USING FACIAL GESTURE AND EMOTION
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2018 |
Koh, Eunjeong Stella |
GESTURAL ENVELOPES: AESTHETIC CONSIDERATIONS FOR MAPPING PHYSICAL GESTURES USING WIRELESS MOTION SENSORS
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2018 |
Lough, Alex |
LSL.LPSR: APPLYING CONTEMPORARY COMPOSITIONAL PROCESSES INTO AN ELECTRO-ACOUSTIC IMPROVISATION TOOL
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2018 |
Caers, Vincent |
CODING WITH A PIANO: THE FIRST PHASE OF THE CODEKLAVIER'S DEVELOPMENT
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2018 |
Veinberg, Anne |
SPECTRAL GRANULAR SYNTHESIS
|
2018 |
Fasciani, Stefano |
SPATIAL ORGANIZATION IN MUSICAL FORM
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2018 |
Boren, Braxton |
COMPEL: A CROWDSOURCED COMMUNITY-BUILDING REPOSITORY FOR REPRODUCIBLE COMPUTER MUSIC
|
2018 |
Bukvic, Ivica Ico |
URBAN SOUNDSCAPE: ANALYZING SPATIOTEMPORAL PATTERNS OF ACOUSTIC EVENTS AND SOUNDSCAPE COMPONENTS, AND ITS INFLUENCE ON THE SOCIO-ECONOMIC STATUS OF NEW YORK CITY NEIGHBORHOODS
|
2018 |
Faruqi, Shuraifa Asmah Shad Saleem |
SONODE; A COLLABORATIVE SOUND MAP OF MEXICO CITY
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2018 |
Garcia, Hugo Solis |
PHIL WINSOR'S MYST: RESEARCH AND ART — A TECHNICAL AND AESTHETIC CONSIDERATION
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2018 |
Paoli, Ken |
VOCAL DISTORTION AND REAL-TIME PROCESSING OF ROUGHNESS Marta Gentilucei, IRCAM, IRCAM/CNRS/Sorbonne Universite, France
|
2018 |
Gentilucei, Marta |
DIGITAL ENSEMBLE SKILLS IN A LAPTOP ORCHESTRA
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2018 |
Lee, Cheng |
STRUCTURED CELL: A WORK IN SPACE
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2018 |
Rafferty, David |
SPATGRIS/SERVERGRIS, CREATIVE TOOLS FOR 2D AND 3D SOUND SPATIALIZATION
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2018 |
Normandeau, Robert |
DATA VISUALIZATION AND ANALYSIS FOR STAGE MONITORING SYSTEMS
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2018 |
Stillwell, Austin |
TANGIBLE VIRTUAL PATCH CORDS
|
2018 |
Fasciani, Stefano |
THE EMOTIONAL CHARACTERISTICS OF RAIN SOUND EFFECTS
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2018 |
Sin, Wing Lam |
DEEP NEURAL NETWORK BASED MUSIC SOURCE CONDUCTING SYSTEM
|
2018 |
Lee, Myungin |
A STUDY ON THE AUDIOVISUAL ART OF NAM JUNE PAIK IN THE CONTEXT OF MULTIMODALITY AND SYNESTHESIA
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2018 |
Yoon, Ji Won |
BEHAVE: A HEATMAP-BASED AUDIOVISUAL REPRESENTATION OF PERSONAL DATA
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2018 |
Park, Sihwa |