DEEP NEURAL NETWORK BASED MUSIC SOURCE CONDUCTING SYSTEM
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2018 |
Lee, Myungin |
A STUDY ON THE AUDIOVISUAL ART OF NAM JUNE PAIK IN THE CONTEXT OF MULTIMODALITY AND SYNESTHESIA
|
2018 |
Yoon, Ji Won |
BEHAVE: A HEATMAP-BASED AUDIOVISUAL REPRESENTATION OF PERSONAL DATA
|
2018 |
Park, Sihwa |
THE AESTHETICS OF ROBOT OPERA: HUMAN-CENTRIC OR MECHANIZED ECCENTRIC?
|
2018 |
Sigman, Alexander |
STUDIO REPORT: KEAMS
|
2018 |
Cho, Jinok |
THE EFFECTS OF PITCH, DYNAMICS, AND VOWEL ON THE EMOTIONAL CHARACTERISTICS OF THE SOPRANO VOICE
|
2018 |
Chang, Bing Yen |
LOCUSTREAM OPEN MICROPHONE PROJECT
|
2018 |
Sinclair, Peter |
A PHYSICALLY-DISTINCT, MULTI-AGENT, SONIC SPACE ECOSYSTEM
|
2018 |
Musick, Michael |
Music Production Mobile App with Voice-to-MIDI Feature
|
2018 |
Au, Chun-Ming |
MUSIC MAKING MOBILE APPLICATION USING GEOMETRY
|
2018 |
Villée, Guillaume |
IMAGINARY MILES: MODELING MUSEBOTS AFTER MUSICIANS
|
2018 |
Eigenfeldt, Arne |
AN EXPRESSIVE BRAIN-COMPUTER MUSIC INTERFACE FOR MUSICAL NEUROFEEDBACK
|
2018 |
Ramirez, Rafael |
THE LURE TOWARDS THE PERFORMATIVE IN NONLINEAR AUDIOVISUAL INSTALLATIONS
|
2018 |
Connors, Teresa Marie |
IS THIS HOW IT SOUNDED? THE IDEA OF ‘HISTORIC INFORMED PERFORMANCE PRACTICE’ IN EARLY MIXED MUSIC
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2018 |
Akkermann, Miriam |
DISPLACED LIGHT: A COMPOSITION FOR SIX INSTRUMENTS AND ELECTRONICS MEDIATED THROUGH THE APPLICATION OF MICROSOUND
|
2018 |
Estibeiro, Marc |
THE MURMURATOR: A FLOCKING SIMULATION-DRIVEN MULTI-CHANNEL SOFTWARE INSTRUMENT FOR COLLABORATIVE IMPROVISATION
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2018 |
Stine, Eli |
TOPOGRAPHIC SYNTHESIS: PARAMETER DISTRIBUTION IN SPATIAL TEXTURE
|
2018 |
Nyström, Erik |
UGG: A UNIT GENERATOR GENERATOR
|
2018 |
Dannenberg, Roger B. |
THE ELECTRO-ACOUSTIC MUSIC MINE (EAMM): AN INITIATIVE FOR THE ARCHIVAL PRESERVATION OF ELECTRO-ACOUSTIC MUSIC
|
2018 |
Park, Tae Hong |
CITYGRAM ONE: SEVEN YEARS LATER
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2018 |
Park, Tae Hong |