Women art dealers creating markets for modern art, 1940-1990
The Konstsalongen Samlaren of Agnes Widlund in Stockholm / Christina Brandberg -- Linda Givon, the Goodman Gallery, and the Politics of the Contemporary Art Market in South Africa, 1966-1990 / Federico Freschi & Lara Koseff -- Mara Coccia, a Gallery Owner in Rome / Francesca Gallo.
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London, New York, Oxford, New Delhi, Sydney
Bloomsbury Visual Arts
2024
|
| Schriftenreihe: | Contextualizing art markets
|
| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | The Konstsalongen Samlaren of Agnes Widlund in Stockholm / Christina Brandberg -- Linda Givon, the Goodman Gallery, and the Politics of the Contemporary Art Market in South Africa, 1966-1990 / Federico Freschi & Lara Koseff -- Mara Coccia, a Gallery Owner in Rome / Francesca Gallo. "Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets - through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways"-- |
|---|---|
| Beschreibung: | Literaturangaben Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xix, 308 Seiten Illustrationen |
| ISBN: | 9781350292451 978-1-350-29245-1 9781350292420 978-1-350-29242-0 |