Male and female voice in two virelais of Guillaume de Machaut

Male and female voice in two virelais of Guillaume de Machaut

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Veröffentlicht in:Machaut's music
1. Verfasser: Mahrt, William Peter (VerfasserIn)
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Sprache:eng
Veröffentlicht: 2003
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Titel Jahr Verfasser
Symmetry and dissymetry in the music of the "Lay de Bonne Esperance" (L18/13) 2003 Newes, Virginia
Observations on Machaut´s motet He! Mors, com tu es haie/ Fine Amour, qui me vint navrer/ Quare non sum mortuus (M3) 2003 Clark, Alice V.
The "harmony" of the Machaut mass 2003 Bent, Margaret
A portrayal of the lady who guards her honour (B25) 2003 Hirshberg, Yehoʾash
Machaut´s B-flat balade "Honte, paour" (B25) 2003 Lefferts, Peter
Male and female voice in two virelais of Guillaume de Machaut 2003 Mahrt, William Peter
Speculum mortis : form and signification in Machaut´s motet Hé Mors/ Fine Amour/ Quare non sum mortuus (M3) 2003 Boogaart, Jacques
Texture and counterpoint in the four-voice mass settings of Machaut and his contemporaries 2003 Moll, Kevin N.
Music writing and poetic voice in Machaut : some remark on B12 and R14 2003 Stone, Anne
The intabulation of "Dew toutes flours" (B31) in the Codex Faenza as analytical model 2003 Flynn, Jane
Machaut´s balade "Ploures dames" (B32) in the light of real modality : Wulf Arlt zum 65. Geburststag 2003 Berger, Christian
Balades 32 and 33 and the 'res dalemangne' 2003 Bain, Jennifer
Flos/Celsa and Machaut´s motets : emulation - and error? 2003 Brown, Thomas
Machaut´s mass and sounding number 2003 Rees, Owen
Singing more about singing less : Machaut´s "Pour ce que tous" (B12) 2003 Leach, Elizabeth Eva
The marriage of words and music : Musique Naturele and Musique Artificiele in Machaut´s Sans cuer, dolens (R4) 2003 Plumley, Yolanda
Rose, lis revisited 2003 Leech-Wilkinson, Daniel
Some obervations regarding musico-textual interrelationships in late rondeaux by Machaut 2003 Kügle, Karl
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