The "harmony" of the Machaut mass

The "harmony" of the Machaut mass

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Veröffentlicht in:Machaut's music
1. Verfasser: Bent, Margaret (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: 2003
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Titel Jahr Verfasser
Speculum mortis : form and signification in Machaut´s motet Hé Mors/ Fine Amour/ Quare non sum mortuus (M3) 2003 Boogaart, Jacques
Texture and counterpoint in the four-voice mass settings of Machaut and his contemporaries 2003 Moll, Kevin N.
Music writing and poetic voice in Machaut : some remark on B12 and R14 2003 Stone, Anne
The intabulation of "Dew toutes flours" (B31) in the Codex Faenza as analytical model 2003 Flynn, Jane
Machaut´s balade "Ploures dames" (B32) in the light of real modality : Wulf Arlt zum 65. Geburststag 2003 Berger, Christian
Balades 32 and 33 and the 'res dalemangne' 2003 Bain, Jennifer
Symmetry and dissymetry in the music of the "Lay de Bonne Esperance" (L18/13) 2003 Newes, Virginia
Observations on Machaut´s motet He! Mors, com tu es haie/ Fine Amour, qui me vint navrer/ Quare non sum mortuus (M3) 2003 Clark, Alice V.
The "harmony" of the Machaut mass 2003 Bent, Margaret
A portrayal of the lady who guards her honour (B25) 2003 Hirshberg, Yehoʾash
Machaut´s B-flat balade "Honte, paour" (B25) 2003 Lefferts, Peter
Male and female voice in two virelais of Guillaume de Machaut 2003 Mahrt, William Peter
Some obervations regarding musico-textual interrelationships in late rondeaux by Machaut 2003 Kügle, Karl
Flos/Celsa and Machaut´s motets : emulation - and error? 2003 Brown, Thomas
Machaut´s mass and sounding number 2003 Rees, Owen
Singing more about singing less : Machaut´s "Pour ce que tous" (B12) 2003 Leach, Elizabeth Eva
The marriage of words and music : Musique Naturele and Musique Artificiele in Machaut´s Sans cuer, dolens (R4) 2003 Plumley, Yolanda
Rose, lis revisited 2003 Leech-Wilkinson, Daniel
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