| HUMAN RIGHTS DUE DILIGENCE AND ARTIFICIAL INTELLIGENCE
|
2021 |
Cimrin, C. |
| TOWARD A PUBLIC CHOICE THEORY OF LEGAL RIGHTS FOR ARTIFICIAL INTELLIGENCE
|
2021 |
Fagan, F. |
| ALGORITHMIC IMPACT ASSESSMENTS: A META-ANALYSIS OF AIAS, STANDARDS, CERTIFICATION AND ROUTE TO REGULATION
|
2021 |
Gardner, A. |
| EVOLVING SELF-TAUGHT NEURAL NETWORKS: THE BALDWIN EFFECT AND THE EMERGENCE OF INTELLIGENCE
|
2021 |
Le, N. |
| TOWARDS ENHANCING NPCS’ MORALITY: THE CASE OF THE ELDER SCROLLS IV: OBLIVION
|
2021 |
Casas-Roma, J. |
| APPROACHING THE ANALYSIS OF THE SPECTATORSHIP OF AIIN SALTYBET.COM
|
2021 |
Summerley, R. |
| A PRACTICAL GUIDE TO STUDYING EMERGENT COMMUNICATION THROUGH GROUNDED LANGUAGE GAMES
|
2021 |
Eecke, J. Nevens. P. Van |
| THE INFLUENCE OF COST ON THE EMERGENCE OF A COMMON LANGUAGE AMONG COOPERATION AGENTS
|
2021 |
Purver, M. M. McGinity. M. |
| SOFT GRIPPERS NOT ONLY GRASP FRUITS: FROM AFFECTIVE TO PSYCHOTROPIC HRI
|
2021 |
Zheng, C. Y. |
| USING VERTICALITY TO CLASSIFY MOTION: ANALYSIS OF TWO INDIAN CLASSICAL DANCE STYLES
|
2021 |
Kaushik, R. |
| ELEGANT, NATURAL MOTION OF ROBOTS: LESSONS FROM AN ARTIST
|
2021 |
Zivanovic, A. |
| KAZIMIERZ TWARDOWSKTI'S CONCEPTION OF IMAGINATION. THE EARLY- ANALYTICAL EXAMPLE AND CONTEMPORARY CONTEXTS
|
2021 |
Kur, R. |
| AI-GENERATED MUSIC: CREATIVITY AND AUTONOMY
|
2021 |
Moruzzi, C. |
| CREATIVITY IN SCIENCE
|
2021 |
Stancati, C. |
| ARTIFICIAL INTELLIGENCE, UNTAPPED INSIGHTS, AND CREATIVITY
|
2021 |
Hoffmann, O. |
| ARTIFICIAL INTELLIGENCE AND ROBOTICS NORMATIVE SPHERES: QUO VADIS?
|
2021 |
Voiculescu, A. |
| AUTOPIA: AN AI COLLABORATOR FOR GAMIFIED LIVE CODING MUSIC PERFORMANCES
|
2021 |
Lorway, N. |
| WHY IS DEBUGGING VIDEO GAME Al HARD?
|
2021 |
John, N. |
| SEMANTIC FLEXIBILITY AND GROUNDED LANGUAGE LEARNING
|
2021 |
McGregor, S. |
| AGENCY IN DIALOGUE: HOW CHOREOGRAPHIC THOUGHT EMERGES THROUGH DANCING WITH TOOLS THAT PROPEL
|
2021 |
Levinsky, S. |
Tag hinzufügen