| Naming of parts : notes on the contratenor, c.1350-1450
|
2009 |
Bent, Margaret |
| The repertoire of the Papal Chapel after the council of Trent : tradition, innovation or decline?
|
2009 |
Schmidt-Beste, Thomas |
| The contents of the Herdringen scores
|
2009 |
Fallows, David |
| Parody and patriotism : a sebastianist reading of the masses of Filipe de Magalhães
|
2009 |
Rees, Owen |
| The anonymous motets of the Chigi Codex
|
2009 |
Houghton, Edward F. |
| The unquiet thoughts of Edmund Spenser's Scudamour and John Dowland's "First Book of Songes"
|
2009 |
Leach, Elizabeth Eva |
| "La prima donna del mondo" : Isabella d'Este's musical "Impresa" its conception, and an interpretation
|
2009 |
Benthem, Jaap van |
| Multivoiced canons attributed to Josquin
|
2009 |
Jas, Eric |
| Zirkelkanon im Niemandsland : Ikonographie und Symbolik im Chansonnier Florenz, Biblioteca Nazionale Centrale, Banco Rari 229
|
2009 |
Pietschmann, Klaus |
| The "virtue" of Lorenzo Lotto : a musical intarsia in the Basilica of Santa Maria Maggiore in Bergamo
|
2009 |
Prizer, William F. |
| Musical comedy at the Prince of Salerno's Palace in Naples
|
2009 |
Cardamone, Donna G. |
| Theory in practice : reminiscences of Gaffurius' music theory in the Milanese choirbooks
|
2009 |
Rolsma, Saskia C. M. M. |
| Tinctori's "Magnum opus"
|
2009 |
Wegman, Rob |
| "Improvised" counterpoint in Monteverdi's 1610 vespers
|
2009 |
Carter, Tim |
| Aspects of counterpoint theory in the "Tractado de canto mensurable" (1535) of Matheo de Aranda
|
2009 |
Rice, Stephen |
| The beguines of Bruges and the procession of the holy blood
|
2009 |
Haggh-Huglo, Barbara |
| The polyphonic proses of Guillaume Du Fay
|
2009 |
Planchart, Alejandro Enrique |
| The ceremonial soft band of fifteenth-century Barcelona
|
2009 |
Kreitner, Kenneth |
| Dad and granddad were cops : Josquin's ancestry
|
2009 |
Kellman, Herbert |
| Franciscus de Rivulo and the manuscript Gdańsk, Biblioteka Gdańska Polskiej Akademii Nauk 4003
|
2009 |
Leszczyńska, Agnieszka |
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