| The problem of diminished counterpoint
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2009 |
Berger, Anna Maria Busse |
| Francesco Corteccia's Hymn for St. John's day n the Florentine liturgy, ca. 1544-1737
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2009 |
D'Accone, Frank A. |
| "In oratorio nemo aliquid agat" : Savonarola, lo spazio sacro e la musica
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2009 |
Zanovello, Giovanni |
| An early seventeenth-century source for performing practices at Toledo Cathedral
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2009 |
Noone, Michael J. |
| Polyphony for corpus Christi in an unknown fragmentary source from mid-fifteenth-century central Europe : an interim report
|
2009 |
Wright, Peter |
| Notes sur la copie des messes de Josquin des Prés dans un manuscrit Italien de la fin du XVIe siècle
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2009 |
Tacaille, Alice |
| A new look at "cantus firmus" process in Crequillon's "Missa Kain Adler in der Welt so schön"
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2009 |
Elias, Cathy Ann |
| "Benedictus dominus deus Israel" : a motet by Johannes Lupi and a mass by Gheerkin de Hondt
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2009 |
Roelvink, Maria Veronica Elisabeth |
| 'Un baciar furioso, un dispogliarsi' : Costanzo Festa and eroticism
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2009 |
Privitera, Massimo |
| "Transferring tunes and adjusting lines" : Leonardo Giustinian and the Giustiniana in quattrocento Florence
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2009 |
Wilson, Blake |
| English instrumental music in the fifteenth century
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2009 |
Polk, Keith |
| Made to order : choirbook publications in cinquecento Rome
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2009 |
Bernstein, Jane A. |
| Music and Theatre in Leo X's Rome
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2009 |
Cummings, Anthony M. |
| Enea Silvio Piccolomini and music
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2009 |
Strohm, Reinhard |
| Grateful friends, true friends : gifts of music and poetry associated with Girolamo Fenaruolo
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2009 |
Marshall, Melanie L. |
| Le "Lucidario in musica" de Pietro Aaron
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2009 |
Ceulemans, Anne-Emmanuelle |
| "Improvised" counterpoint in Monteverdi's 1610 vespers
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2009 |
Carter, Tim |
| Aspects of counterpoint theory in the "Tractado de canto mensurable" (1535) of Matheo de Aranda
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2009 |
Rice, Stephen |
| The beguines of Bruges and the procession of the holy blood
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2009 |
Haggh-Huglo, Barbara |
| The polyphonic proses of Guillaume Du Fay
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2009 |
Planchart, Alejandro Enrique |
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