The matter of song in early modern England texts in and of the air
Given the variety and richness of the 16th- and 17th-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency...
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Format: | UnknownFormat |
Sprache: | eng |
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Oxford
Oxford University Press
2019
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Ausgabe: | First published in paperback |
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Online Zugang: | Inhaltsverzeichnis |
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Zusammenfassung: | Given the variety and richness of the 16th- and 17th-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective 'The Matter of Song in Early Modern England' considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques. |
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Beschreibung: | First published 2019, first published in paperback 2022 |
Beschreibung: | xiv, 245 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780198843788 978-0-19-884378-8 9780192865526 978-0-19-286552-6 |