| Round heaven, square earth
|
2021 |
Baers, Michael |
| The end of idelogy?
|
2021 |
Shils, Edward |
| Four saints in three acts : a case study
|
2021 |
Evans, Jenifer |
| The man in the background
|
2021 |
Berg, Lene |
| Neoliberal economics and the double disfigurement of the Third World
|
2021 |
Slobodian, Quinn |
| Purity of art and the racial politics of Modernism
|
2021 |
Kravagna, Christian |
| Parallel lines and crosshatchings : the souza-esque art of delineating duplicity
|
2021 |
Apte, Savita |
| Telephone Conversation
|
2021 |
Soyinka, Wole |
| Untogether together : Bessie Head’s writing in The New African
|
2021 |
Ngcobo, Gabi |
| Ulli Beier, cultural brokerage, and Cold War parapolitics
|
2021 |
Ogbechie, Sylvester Okwunodu |
| Princes and Powers
|
2021 |
Baldwin, James |
| Introduction
|
2021 |
Franke, Anselm |
| Abstraction
|
2021 |
Issa, Iman |
| The coffee-brown boy looks at the black boy
|
2021 |
Saxena, J. S. |
| The power of interpretation : how MoMA explained Guernica to its audience
|
2021 |
Giunta, Andrea |
| The (re)invention of Postwar Modernism
|
2021 |
McCray, Porter |
| Yugoslav Fanonism and a failed exit from the (Cultural) Cold War
|
2021 |
Bago, Ivana |
| The living arts of ancient TV : India and the Idiot Box : 1955
|
2021 |
Keefe, Alexander |
| Clement Greenberg in India : a recursive history
|
2021 |
Zitzewitz, Karin |
| The story of Hiwar : Cold War imbroglio and the struggle for autonomy
|
2021 |
Salti, Rasha |
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