Portugal's global cinema industry, history and culture
Klappentext: Portuguese cinema has become increasingly prominent on the international film festival circuit and yet can still be described as a 'small nation cinema'. From box-office hit 'La Cage Doré' to the prestige of directors Manúel de Oliveira, Pedro Costa and Miguel Gomes,...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London, New York
I.B. Tauris
2018
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| Schriftenreihe: | Tauris world cinema series
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| Schlagworte: | |
| Online Zugang: | Inhaltsbeschreibung |
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Tag hinzufügen | Zusammenfassung: | Klappentext: Portuguese cinema has become increasingly prominent on the international film festival circuit and yet can still be described as a 'small nation cinema'. From box-office hit 'La Cage Doré' to the prestige of directors Manúel de Oliveira, Pedro Costa and Miguel Gomes, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy begs the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage... Inhaltsverzeichnis: Introduction: framing the global appeal of contemporary Portuguese cinema / Mariana Liz --Filming narratives becoming events: documentary and the 'emplotments' of the carnation revolution / Luis Trindade -- Our beloved month of August: between the filming of the real and the reality of filming / Rui Gonçalves -- Political Oliveira / Randal Johnson -- Portugal, Europe and the world: geopolitics and the human condition in Manoel de Oliveira's films / Carolin Overhoff Ferreira -- Amália (2008): stories of a singer and tales of a national cinema / Anthony de Melo -- La cage dorée/The gilded cage: a Franco-Portuguese comedy of integration / Ginette Vincendeau -- Cinema and the city in European Portugal / Mariana Liz -- Contextualizing Pedro Costa's digital filmmaking / Nuno Barradas Jorge -- Broken links: the cinema of Teresa Villaverde /Cristina Álvarez López and Adrian Martin -- Mysteries of Raúl Ruiz's Portugal: territory, littoral, city and memory bridge / Michael Goddard -- White faces/black masks: the white woman's burden in Pedro Costa's Down to earth / Hilary Owen -- Light drops: Portugal critically reviewing the colonial past? / Paul Melo e Castro -- Colonialism as fantastic realism in Tabu / Lúcia Nagib -- Luso-Brazilian co-productions: rescue and expansion. |
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| Beschreibung: | Includes bibliographical references (pages 257-276) and index |
| Beschreibung: | xx, 284 Seiten Illustrationen 23 cm |
| ISBN: | 9781784531980 978-1-78453-198-0 1784531987 1-78453-198-7 |